‘True Blood,’ ‘Twilight’ Sink Teeth Into Social Media [INFOGRAPHIC]
Brian Anthony Hernandez: “How do vampire series “True Blood,” “Twilight” and “Vampire Diaries” stack up against each other in terms of social media prowess?”
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Brian Anthony Hernandez: “How do vampire series “True Blood,” “Twilight” and “Vampire Diaries” stack up against each other in terms of social media prowess?”
Patrick Möller: “For our interview with Brian Clark of GMD Studios we slightly reworded our interview questions to “Why Not Transmedia”?”
John Kennedy: “American media scholar and pop culture expert Henry Jenkins, currently on a lecture tour of Europe, said that all content is heading in the direction of trans-media, shifting from its original state to new platforms” …
Jeff Gomez: “Our love of team-ups, in fact, dates back to the Stone Age. Early man imbued all things around him with animus, and the coolest things — the sun, the moon, the ocean — were either the incarnations of, or controlled by superior beings, gods. It was just a matter of time before pantheons formed, relationships got complicated, and villains arose to challenge the benevolent“…
John Hiscock: “In the first film, the unlucky crew of the space freighter Nostromo finds a derelict spaceship with a “space jockey” – a giant humanoid with an exploded chest in the pilot’s chair. Who he was and what he was doing there was never explained and the question has dogged Alien buffs ever since“…
Mike Ryan: “In honor of the landmark film’s landmark birthday, I asked a group of influential filmmakers — responsible for projects such as “The Hunger Games,” “Iron Man” and “Lost” — what the biggest influence the original “Star Wars” had on them professionally or personally“…
Jeff Barber: “To answer this question, let’s consider what three experts in this emerging space have to say about the role of mobile in transmedia content production and distribution” …
Dan Casey: “Somewhere between a pop-up video and a Choose Your Own Adventure book, the series provides scores of awesome bonus content in the form of phone calls, text messages, e-mails and videos.”
Sarah Casey: “The key is that the show is not dormant during its off season, but active on multiple platforms, not just the tried and true reruns and trailers although both elements have been taken to previously unimagined levels.”
Robert Niles: “This is a race to extend narrative from individual rides into every facet of the park experience, where visitors have the chance to become actors in their own adventure” …